musical mode
英 [ˈmjuːzɪkl məʊd]
美 [ˈmjuːzɪkl moʊd]
网络 音乐模式; 调式
英英释义
noun
- any of various fixed orders of the various diatonic notes within an octave
双语例句
- By listening to hometown melody, people can comprehend little by little the strange occidental musical structure and adapt to the occidental musical thought mode so as to take fancy of the symphony.
通过聆听带有家乡曲调的音乐作品，人们可以逐步了解并熟悉相对陌生的西方曲式结构，使我们的叙事性音乐思维能够适应西方结构性音乐思维方式，从而喜欢上交响乐作品。 - Are the melodies modal, tonal, or post-tonal? of or relating to a musical mode; especially written in an ecclesiastical mode.
他们是中古教会调式，音调得，后音乐调式？属于或关于音乐调式，尤指用教会音乐调式谱写。 - Section I: Works of musical structure and mode layout form.
第一节作品的曲式结构形态。 - He uses musical styles and elements in various peoples and regions, mixes quyi and local music, and produces songs in his unique musical mode of thinking.
他大胆的运用各个民族、各个地区音乐风格的音乐元素，融曲艺素材与地方音乐元素于一炉，用自己独特的音乐思维进行创意。 - The second part analysizes its musical features, mode, antrum based on the classification of Zaozhuang Liuqinxi arias, and simply introduces its band and instruments.
第二部分从枣庄柳琴戏唱腔的分类来分析唱腔音乐的旋律特点、音阶调式、板式与腔体等；简单介绍乐队与伴奏乐器。 - Shen Xiang, a famous great master in vocal musical education, combining author's own sensation and experience in learning and teaching vocal music, the article puts forward a new teaching idea& a teaching mode regarding students as the center.
文章通过对我国著名声乐教育大师沈湘先生对声乐教学的见解的理解，以及本人多年的声乐学习的感受和教学实践，提出一种新的教学理念&即以学生为中心的教学模式。 - Genres is musical works category and mode, music genres is a construct that reveal the musical works form and structure, emotional factor and traits.
体裁是艺术作品的种类和样式，音乐体裁是一个揭示音乐作品形式、结构及情感内容的概念。 - Except for these characteristics, there are many musical factors should be examined, for example, the influence of mode.
除以上这些特征，还有许多音乐要素有待进一步的检验，例如，调式的影响。 - In the process of musical aestheticism, people alway pay less attention to timbre than to other musical means of expression, such as melody, rhythm, mode, harmony and so on, for timbre is abstract and has no definite meaning.
在音乐审美过程中，因为音色这一客体的不具象性、无语义性，往往不像其他音乐表现手段（旋律、节奏、调式、和声）引起人们的重视。 - Furthermore, the author sets the second portion Dies irae of the Requiem as an example to make a profound analysis from the perspectives of musical form, singing mode, melodious characteristics, rhythm and tempo as well as theme.
包括创作的背景、创作过程并以第二部分震怒之日为例，从曲式结构、演唱方式、旋律特征、节奏节拍、主题的贯穿和音乐情绪的把握等方面作分析。